VIRTUAL PROGRAMMING/

Room/Roof Piece (2020)

Room/Roof Piece is a 25-minute video dance based on Trisha’s 1971 Roof Piece, made remotely by the Trisha Brown Dance Company Dancers as they continue to explore ways of interacting with the work, and each other, from afar. This project was conceived, produced and edited by TBDC dancers Amanda Kmett'Pendry and Jamie Scott. 

Generations of Trisha Brown Company dancers have performed Roof Piece all over the world. The original version, performed in 1971, spanned 10 blocks in lower Manhattan. This version travels from New South Wales all the way to Brooklyn. Roof Piece uses distance to transcend the boundaries of a room, a stage, and the eye of a single viewer. Dancers simultaneously receive and transmit movement, and as the dance travels distance allows for a decomposition of the original message. In order to hold the integrity of the original work, dancers in Room/Roof Piece are limited to seeing one dancer on the screen. A separate screen capture collected the entire dance, from generation though termination. If we can't be in the same room, we can still dance together! Read coverage of the project in The New York Times, including tips for a DIY home version anyone can try, here.

The map above, generated by MapHubs, indicates the performance locations of each dancer for Room/Roof Piece. The performers are Cecily Campbell, Santa Fe, NM; Marc Crousillat, Unadilla, NY; Kimberly Fulmer, Dallas, TX; Leah Ives, Brooklyn, NY; Amanda Kmett'Pendry, Brooklyn, NY; Patrick McGrath, Santa Monica, CA; Jamie Scott, Washington, D.C.; Stuart Shugg, Dunoon, NSW; and Jacob Storer, Richland Center, WI.

Figure 8 (2020)

Part of Trisha Brown’s 1976 Line Up, Figure 8 presents a riddle in measuring time and distance through a simple counting structure and repeated gesture that is performed simultaneously on both sides of the body.

In this new digital interpretation of Trisha Brown’s enigmatic piece, TBDC dancers Amanda Kmett’Pendry, Jamie Scott, and Stuart Shugg deconstructed the dance’s original linear component into a digital grid, with all nine current TBDC dancers filmed separately as they move in unison.

Amanda Kmett'Pendry | Editor, Producer
Stuart Shugg | Editor

You Can See Us (1995)

Working together virtually over several weeks TBDC dancers Cecily Campbell and Jamie Scott revived Trisha’s duet You Can See Us, Cecily from Santa Fe, New Mexico and Jamie from Beacon, New York.

Choreography by Trisha Brown
Performed by Cecily Campbell | Santa Fe, NM
Jamie Scott | Beacon, NY

Amanda Kmett’Pendry | Editor, Producer

▫️Beacon, NY▫️
Jamie Scott | Dancer
T Andrey Ruvo | Director of Photography
Kyle Cottier | Location Management
Special thanks to Doug and Mike Starn, Starn Studio

▫️Santa Fe, NM▫️
Cecily Campbell | Dancer, Producer
Ted Alcorn | Director of Photography
Stan Alcorn | Location Sound Mixer
Caleb Garvin | Technical Production
Sandra Brice | Location Management
Special thanks to Santa Fe Railyard Community Corporation, The Railyard Park Conservancy (RPC), The Railyard Art Project Committee (RAP) and Santa Fe Audio Visual

Alumni Room/Roof Piece (2020)

Former Trisha Brown Dance Company dancers undertook their own rearrangement of Trisha Brown's Roof Piece (1971).

Amanda Kmett'Pendry | Editor, Producer
Jamie Scott | Producer

Trisha Brown Dance Company Alumni performers are Todd Stone, Montreal, Canada; Trina Warren, Kansas City, MO; Mariah Maloney, Brockport, NY; Laurel Jenkins, Middlebury, VT; Kathleen Fisher, Bimini, Bahamas; Hope Mohr, San Francisco, CA; Sam Wentz, Los Angeles, CA; Abby Yager, Winston-Salem, NC; Ming Yang, Winston-Salem, NC; Shelley Senter, Yonkers, NY; Stacy Spence, New York, NY; Brandi Norton, Rhinebeck, NY; Tony Orrico, Iowa City, IA; Leah Morrison, Brooklyn, NY; Diane Madden, Bussels, Belgium. 

Foray Forêt in the Studio (2020), a film by Daniel Madoff

As the Trisha Brown Dance Company was preparing for their Spring 2020 Season at The Joyce Theater, the pandemic turned everything virtual. With behind the scenes footage from rehearsals of Foray Forêt, Daniel Madoff created this film with commentary from Trisha Brown describing her inspiration for and development of the piece. 

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