Selected Bibliography
ARTISTS’ WRITINGS (Chronological)
“Three Pieces.” TDR: The Drama Review 19, no. 1 (1975): 26-32.
“Collaboration: Life and Death in the Aesthetic Zone.” In Robert Rauschenberg: A Retrospective, edited by Walter Hopps and Susan Davidson, 268-74. New York: Solomon R. Guggenheim Museum, 1999.
“How to Make a Modern Dance When the Sky’s the Limit.” In Trisha Brown: Dance and Art in Dialogue, 1961-2001, edited by Hendel Teicher, 289-293. Cambridge: MIT Press, 2002.
“Geneva Handfall Drawings.” PAJ: A Journal of Performanceand Art 30, no. 2 (2008): 51-58.
“Forever Young: Some Thoughts on My Early Work Today,” with Susan Rosenberg, in Trisha Brown Dance Company: A year long series of performances at Dia:Beacon, unpaginated. Exh. brochure. New York: Dia:Beacon, 2009.
CONVERSATIONS AND INTERVIEWS (Chronological)
Brown, Trisha and Douglas Dunn. “On Dance.” PAJ: A Journal of Performance and Art 1, no. 2 (1976): 76-83.
Brown,Trisha and Yvonne Rainer. “A Conversation about ‘GlacialDecoy’.” October 10 (1979): 29-37.
Goldberg, Marianne. “Allofthe Person’s Person Arriving.” TDR: The Drama Review 30, no.1 (1986): 149-70.
Brown, Trisha and Yvonne Rainer. “TrishaBrown.” BOMB Magazine, no. 45 (1993): 23-33.
Robertson, Allen. “Step Bach to the Future.” Times ( London), May 16, 1996.
Constanti, Sophie. “The 360 Degree Dancer.” The Independent ( London), May 17, 1996.
MONOGRAPHIC BOOKS ESSAYS AND DISSERTATIONS (Alphabetical by Author)
Brunel, Lise, and others. Trisha Brown / Lise Brunel, Babette Mangolte, Guy Delahaye. Paris: Editions Bougé, 1987.
Blue, Nora. Changing the Dancer’s Image: Rainer, Brown, Paxton. Master’s thesis, University of Michigan, Ann Arbor, 1983.
Goldberg, Marianne. Reconstructing Trisha Brown: Dance and Performance Pieces (1960-1975). PhD diss., New York University, 1980.
Huynh, Emmanuelle, ed. Histoire(s) et Lectures: Trisha Brown. Dijon: Presses du réel, 2012.
Mazzaglia, Rossella. Trisha Brown. Palermo: L'epos, 2007.
MONOGRAPHIC SELECTIONS FROM PERIODICALS (Alphabetical by Author)
Burt, Ramsay. "Against Expectations: Trisha Brown and the Avant-Garde." Dance Research Journal 37, no. 1 (2005): 11-36.
Danto, Isabelle. "Trisha Brown, Présent d'Éternité." Esprit 10, no. 398 (2013): 121-123.
Eigo, Jim. “Trisha Brown and Robert Rauschenberg.” Dance Ink 5, no. 1 (Spring 1994): 22–25.
Goldman, Danielle. "Steve Paxton and Trisha Brown: Falling in the Dynamite of the Tenth of a Second." Dance Research: The Journal of the Society for Dance Research 22, no. 1 (2004): 45-56.
Mangolte, Babette. "A Portfolio of Photographs of Trisha Brown's Work." October 10 (1979): 39-50.
―――. "Trisha Brown: Portfolio." October 140 (2012): 45-53.
Rosenberg, Susan. "Trisha Brown: Choreography as Visual Art." October 140 ( 2012): 18-44.
―――. "Trisha Brown's Notebooks." October 140 (2012): 3-17.
―――. "Trisha Brown's Water Motor: Forever, Now, and Again." TDR 56, no.1 (2012): 150-57.
Sears, David. “A Trisha Brown–Robert Rauschenberg Collage.” Ballet Review 10, no. 3 (Autumn 1982): 47–51.
Sommer, Sally. “Equipment Dances: Trisha Brown.” TDR: The Drama Review 16, no. 3 (1972): 135-141.
Sulzman, Mona. "Choice/Form in Trisha Brown's "Locus": A View from inside the Cube." Dance Chronicle 2, no. 2 (1978): 117-130.
EXHIBITION CATALOGUES (Chronological)
Teicher, Hendel, ed. Trisha Brown: Dance and Art in Dialogue, 1961–2001. Andover, Massachusetts: Addison Gallery of American Art, 2002.
Eleey, Peter, ed. Trisha Brown: so that the audience does not know whether I have stopped dancing. Minneapolis: Walker Art Center, 2008.
OTHER PUBLICATIONS (Alphabetical by Author)
Banes, Sally. Terpsichore in Sneakers. Boston: Houghton Mifflin, 1979.
―――. Democracy’s Body: Judson Dance Theater, 1962-1964. Ann Arbor, MI: UMI Research Press, 1983.
―――. Writing Dancing in the Age of Postmodernism. Middleton, CT: Wesleyan University Press, 1994.
Greenfield, Lois, Kenn Duncan, Johan Elbers, Babette Mangolte, and Nathaniel Tileston. "Moving Pictures: A Dance Photography Portfolio." Performing Arts Journal 5, no. 1 (1980): 34-47.
Poor, Kristin. "Morgan on Graham/Mangolte on Brown." Aperture, no. 221 (2015): 118-127.