LICENSING/ PROFESSIONAL LICENSING

TBDC actively promotes the performance of Trisha’s choreography by companies around the globe. The Professional Licensing program makes selected works from Trisha Brown’s 40 years of repertory available to professional companies worldwide.

Recent licensing and Restaging projects include those with Ballet Flanders, Paul Taylor Dance Company, Stephen Petronio Company, Paris Opera Ballet, Candoco Dance Company, Stanislavsky Ballet, Pennsylvania Ballet, Ballet de Lorraine, and the Lyon Opera Ballet who has consistently  licensed Trisha Brown repertory for over a decade.

Reset and Restaging Residencies

Brown’s philosophy of developing structure and form in infinite designs has become the cornerstone of the Company’s signature Reset Projects, a name derived from Brown’s iconic Set and Reset (1983). Led by Company dancers and alumni, Reset Project participants first learn the exact sequences from an original Brown work, and then engage in Brown’s unique choreographic protocol to generate their own variation of the original choreography. The Company also offers Restaging projects where the original choreography is transferred by Reset and Restaging residencies. The projects take place around the world both as an education initiative and on the professional level.

RECENT RESTAGING RESIDENCIES

Ballet Flanders (Belgium), Stanislavsky Ballet (Russia), Ballet Em Rhein (Germany), Paul Taylor Dance Company (NY), Stephen Petronio Company (NY), Ballet de Lorraine (France), Candoco Dance Company (United Kingdom), Pennsylvania Ballet (PA), Stockholm University of the Arts (Sweden), La Manufacture (Switzerland), Hope Mohr Bridge Project (CA), Museo Tamayo (Mexico), Lyon Opera Ballet (France), Paris Opera Ballet (France), Centre National de Danse Contemporaine Angers (France), Jerome Bel (France), Theo Clinkard (United Kingdom), Centre Pompidou-Metz with Ballet de Lorraine (France), Harkness Repertory Ensemble (NY), and Le Mouvement Festival (Switzerland), and En-Knap Group (Slovenia).