This season the Trisha Brown Dance Company celebrates Trisha Brown's Unstable Molecular Structure cycle which introduced the iconic, slippery, sensuous movement style that continues to inspire dancers and choreographers worldwide. In Opal Loop (1980), bodies versed in fluid, seamless sequencing embody spontaneity and abandon, while Son of Gone Fishin’ (1981), accompanied by a raucous Robert Ashley score, reveals Brown’s precise, mathematical approach. The piece radiates outward like ripples from a stone cast into water—a natural metaphor Brown used to describe its severe yet captivating form.
Alongside these landmark works, the company proudly presents a new commission by Australian choreographer Lee Serle, in collaboration with Colombian visual artist Mateo López, and in partnership with Rolex. Inspired by his experience with Brown through the Rolex mentoring program, Serle delves into her recurring choreographic theme of visibility and invisibility, examining who and what is made seen or unseen—and the impact of those choices in our modern world.