Banes, Sally, Terpsichore in Sneakers, Houghton Mifflin, Boston, 1980
Banes, Sally, Democracy’s Body, Judson Dance Theater, 1962-1964, U.M.I. Research Press, Londres, 1980
Banes, Sally, Writing Dancing in the age of Postmodernism, Wesleyan University Press, Middletown, 1994
Blue, Nora, Changing the Dancer’s Image: Rainer, Brown, Paxton, Master’s thesis, American University, 1980, Ann Arbor Michigan Univerity Microfilms International, 1983
Borja-Villel, J. and Chevrier, Jean-François, Art and Utopia: Action Restricted, Museu d’Art Contemporani de Barcelona and Actar, 2005
Brown, Trisha, Collaboration: Life and Death in the Aesthetic Zone, In “Robert Rauschenberg: A Retrospective”. Ed by Walter Hopps and Susan Davidson, New York: Solomon R. Guggenheim Museum, 1999
Brunel, Lisa, Guy Delahaye and Babette Mangolte. Trisha Brown, Paris: Eiditions Bougé, 1987.
Bruni, Ciro, Danse et pensée, une autre scene pour la danse, Sammeron, France: GERMS, 1993
Cage, John, Silence, Middletown, Conn: Wesleyan University Press, 1961
Chevrier, Jean-Francois, L’Action restreinte, L’art moderne selon Mallarmé, Editions Hazan, Paris/Nantes, Musée des Beaux-Arts de Nantes, 2005
Crémézi, Sylvie, La signature de la danse contemporaine, Paris: Editions Chiron, 1997
Crémézi, Sylvie, Writing in the Dark, Dancing in “The New Yorker”, New York: Farrar, Strauss and Giroux, 2000
Despres, Aurore, Travail de Sensations Dans La Pratique de la Danse Contemporaine, Atelier national de reproduction des theses,1992
Foster, Susan Leigh, Reading Dancing: Bodies and Subjects in Contemporary American Dance , Berkeley and Los Angeles: Univeristy of California Press, 1996
Goldberg, Marianne, Reconstructing Trisha Brown: Dances and Performance Pieces 1960-1975, Ph. D diss, New York University, New York, 1990
Goldberg, Marianne, Fifty Contemporary Choreographers, ed by Martha Bremser and Deborah Jowitt, London: Routeledge, 1999
Goldberg, Roselee. Performance: Live Art Since 1960, New York: Harry N. Abrams, 1998
Helfenstein, Josef and Jonathan Fineberg, ed, Drawings of Choice from a New York Collection, University of Washington Press, 2002
Huxley, Mike and Noel Witts, eds. The Twentieth Century Performance Reader, London: Routledge, 1996
Johnston, Jill, Marmalade Me, Expanded edition with introduction by Deborah Jowitt and afterword by Sally Banes, Hanover, N.H. University Press of New England, 1998
Jowitt, Deborah, Dance Beat: Selected Views and Reviews, 1967-1976, New York, M. Dekker, 1977
Jowitt, Deborah, The Dance in Mind: Profiles and Reviews 1976-83, Boston: David R. Godine, 1985
Kaplan, Peggy Jarrell, Portraits of Choreographers, with texts by Jean-Marc Adolphe, Marianne Goldberg, and Chantal Pontbriand, New York: Ronald Feldman Fine Arts, Paris, Editions Bougé, 1988
Kraft, Susan, Alternative virtuosity in postmodern dance: The Proscenium of the Gymnasium, Ph. D. diss, New York University, New York, 1989
Krone, Reiner, Numerals, Yale, 1977, exhibition circulated by Independent Curators Incorporated, New York, Leo Castelli Gallery, 1978
Lepecki, Andre, Exhausting Dance, Routledge, New York, 2006
Livet, Anne, Contemporary Dance, New York, Abbeville Press, 1978
Louppe, Laurence, Trisha Brown red lisible la musique in “Rendre lsible.”, Alés, France, Cratére Théâtre, 1998
Louppe, Laurence, Poétique de la danse contemporaine, 2d edition, Brussels, Contredanse, 2000
Louppe, Laurence, ed, Traces of Dance: Drawings and Notations of Choreographers, translated by Brian Holmes and Peter Carrier, Paris: Editions Dis Voir, 1994
Longwell, Alicia G., North Fork/South Fork East End Art Now, The Parrish Art Museum, Southampton, NY, 2004
Mc Donagh, Don, The Rise and Fall of Modern Dance, New York: New American Library, 1970

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